Artist Statement
Kintsugi is the Japanese art of mending broken pieces of pottery
together with gold, which is a metaphorical reflection on recognizing
and reconciling our flaws. It inevitably invites us to look at a deeper
level to accept our own psychological incompleteness. The process
which requires time, patience and resilience, of bringing new life to
damaged ceramic works and also not hiding but celebrating the scars
with the use of gold.
I got drawn to the art of Kintsugi unconsciously. Repairing broken
pieces of my old works was an outer reflex of dealing with loss and
pain in my personal life when I lost a parent. After experiencing grief
that had fragmented my thought process into seeing pain as uni
dimensional, I took refuge in the mirror-like process of making
emotional repair by uncovering the wounds, healing them and
knowing that these make me whole as much as my joy does!
I realized that the fire gods had scarred my ceramic work with
opportunity, to redefine and realign my thoughts, like in the often
quoted saying..
"There is a crack in everything, that's how the light gets in."
- Leonard Cohen
My work is a spin on this traditional ceramic repair process where
instead of real gold, a simple gold colored paint is used so the color of
gold is showing what has value( the joints, scars, marks on the
ceramic piece) but not becoming what gives it value.
Wars, ignorance and our lack of philosophical speculation as a society
makes me question the consumerist culture and psychology of the
present times.
Our wounds can not and should not be hidden, but exalted; it is also
thanks to them that we have come this far and there is extreme
beauty in seeing the perfection of imperfection in all that exists.
Shreya Alok Gupta
Shreya Alok completed her undergraduate ceramic design course at Indian Institute of Crafts and Design, Jaipur in 2014. She has exhibited at Lalit Kala Akadamie and Samanvai gallery, Jaipur amongst others. Drawing inspiration from the various craft clusters in India, she has recieved a fellowship from CEPT to work with the pottery clusters in Kutch, Gujarat.
After being an artist-in-residence at The Cold Mountain Studio, now she takes her ceramic journey forward by setting up her own 'Studio Karamica' in the lower Himalayas of Dharamsala, Himachal Pradesh.